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路旁的花

七月的結尾,才發現已經習慣帶著六七的格式過完一個月。

我其實不是很喜歡六七,相比起 Mamiya7 少了一點街拍的優雅。大多數你看到拿著相機的攝影師,其他時間大致上應該都是像個,扛著米袋的工人。

雖然每每提到這台相機都會補上:「很重,真的很重。」

不過拿一拿也就習慣了。帶著六七出門,他就不是一個會被放在包裡的相機,他就是會一直拿在手上、掛在肩上,隨時準備好的一台相機。

今年的夏天很夏天,攝影師總是要感謝光的,因為有這些光,我們得以發現這世界上有眾多個角落,值得被我們所挖掘與收藏。

體檢

原來我的腰圍102cm(驚)

書籤

Film Stock Review: Kodak Portra 400 vs. Kodak Portra 800
Free Film Strips PNG Overlays
VISION-250D-Sellsheet
5 Fantastic 6×7 Medium Format Film Cameras to Create Beautiful Photos With

All the beauty of daylight.
VISION-250D-Sellsheet Resources

Consistent quality performance. KODAK VISION3 250D Color Negative Film raises the bar for outdoor shooting. Incorporating the unparalleled performance of KODAK VISION3 500T in a medium-speed, daylight-balanced emulsion, you get the freedom and creativity of daylight without compromising on quality. Outstanding performance in the extremes of exposure, reduced grain in the shadows and the ability to push the boundaries of underexposure with stunning results. KODAK VISION3 250D performs on set and in the suite, letting you move faster when you’re shooting and pull out more of the highlight detail in post. With the increased flexibility, control, image quality and archival stability you’ve come to expect from KODAK VISION3 film, the KODAK VISION3 250D pushes the possibilities of shooting on film, wherever you are. KODAK VISION3 250D. Your vision is always evolving

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